#Lara croft tomb raider 2018 movie#
If studios who either own or license a video game intellectual property (IP) can spend time analyzing the source material for purposes of tapping into what makes the story itself work, then perhaps a successful video game movie can be produced. Today’s Tomb Raider made a solid effort to spend time worrying about it’s quality as a film, but still fell victim to being too grounded in its interactive media roots. In its defense, 2018’s Tomb Raider shows an effort to overcome that obstacle. But why is that? Often, movie adaptations of video games fail because their is more emphasis placed upon video game brand representation than the art of cinematic storytelling. There has yet to be a video game to film adaptation that has even encroached upon the fresh threshold of Rotten Tomatoes.
#Lara croft tomb raider 2018 code#
In short, Hollywood simply cannot seem to crack the code for a movie adaptation of a video game. Ultimately, it has proven to be nearly impossible to create a successful motion picture from a video game.
From Super Mario Bros to Mortal Kombat to Resident Evil to this year’s Tomb Raider, there have been many attempts to adapt interactive media (video games) for scripted/narrative cinematic storytelling. Video games turned motion pictures aren’t anything new. The stakes couldn’t be higher as Lara must rely on her sharp mind, blind faith and stubborn spirit to venture into the unknown. Hoping to solve the mystery of her father’s disappearance, Croft embarks on a perilous journey to his last-known destination - a fabled tomb on a mythical island that might be somewhere off the co ast of Japan. Lara Croft is the fiercely independent daughter of an eccentric adventurer who vanished years earlier. Moving forward, the stories need to be stronger, original, and leave room for SUBTEXT. Although this initial return to the video game turned motion picture adaptation is frocked with predictable plot beats and turning points, it does show promise for a solid franchise if tweaked. The realness might have been increased by not feeling like, at times, you were sitting there playing the video game version. Not that the film is without exaggerations and fantasy elements but, the story almost feels like an adventure that could take place under the right circumstances and with the right tools. In fact, that is probably the best element that this reboot has going for it–the realness of the adventure. Moreover, she is a believable character–she feels real. Those qualities give this Lara Croft a level of humanity that allows her to connect more with audiences. Furthermore, she does not excel at everything she is trying to do to survive life and make ends meat. Alicia Vikander’s Lara Croft differs from that of Angelina Jolie’s in that she comes across to audiences as someone who’s impulsive, reckless, and experiencing difficulty in managing her life. However, in all fairness, it does provide this generation with a moderately good action-adventure film based on a best-selling video game series. Wherever the famed English adventurer ends up, though, franchise fans can rest assured that, in all likelihood, we’ll be seeing a whole lot more Tomb Raider in the next five years than we have in the previous 10.Strives to put cinematic storytelling first and video game representation second, but still comes across as tropey and borrows heavily from Indiana Jones and the Raiders of the Lost Ark and The Last Crusade. are sure to be involved in the aforementioned “feeding frenzy”, while streaming services like Netflix – ever the doomed project vulture – may also be keen to bring Lara Croft to new audiences. The likes of Universal, Paramount, Lionsgate and Warner Bros. What’s more, MGM’s tardiness will soon become a rival studio’s gain. Tomb Raider is and will remain a prominent name in popular culture, and as a result of MGM moving slower than Winston in Croft Manor – both in terms of releasing and green-lighting movies under the franchise banner – the Amazon-owned studio has lost an important feather in its cap. But in today’s ludicrously competitive entertainment industry, the ownership of major intellectual property (IP) has become more important than ever for attracting and keeping increasingly prudent audiences.
) Analysis: a big loss for MGM and AmazonĪs above, Tomb Raider has never been a bona fide Hollywood money-spinner – at least in the same way as the James Bond and Mission: Impossible franchises have for their respective owners. Alicia Vikander as Lara Croft in Tomb Raider (2018) (Image credit: MGM / Warner Bros.
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